by Martha Drexler Lynn, 1993. 160 pages, 164 illustrations, 64 in color — 10" x 9.75" Bacerra is the unrivaled master of the decorated surface. His Layered and richly detailed surfaces are amongst the most luscious expressions of their kind in the ceramic palette.

		by Martha Drexler Lynn, 1993. 160 pages, 164 illustrations, 64 in color — 10" x 9.75" Karen Karnes is paradoxically both one of America's best known ceramists here and abroad, and arguably its least understood. Through her involvement with communities at Black Mountain College and Gatehill College, she brought sophistication to the potter's studio, informed, eloquent and inspiring.

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		by Martha Drexler Lynn, 1993. 160 pages, 164 illustrations, 64 in color — 10" x 9.75" This catalogue concentrates on Larocque's expressionistic monumental heads, which are about process and time, appearing to be both under construction and in the process of decay. Although the essay by Larocque gives insights into his art, it leaves enough questions for the reader to answer.

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		by Martha Drexler Lynn, 1993. 160 pages, 164 illustrations, 64 in color — 10" x 9.75" Clark writes that Phillip Maberry is "an unrepentant hedonist when it comes to art, a fearless colorist and a master of pattern, decoration and ornament". This catalog concentrates on Mabery's installations and the paradise of color he brings to homes across America.

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		by Martha Drexler Lynn, 1993. 160 pages, 164 illustrations, 64 in color — 10" x 9.75" Disobedient to the rules of ceramics, "Visitors" to clay have created art from the impossible, made virtues of error, and reminded us of the transcendence of spirit over manual dexterity. Includes work by Pierre Alechinsky, James Brown, Anthony Caro, Eduardo Chillida, Joan Miro and Antoni Tapies.